A six-screen installation is centered on the wall behind the standing portraits, in which visitors see a live video feed of themselves moving through the gallery. The interactive installation Face Off (2020) utilizes facial recognition software that perpetually scans for faces, emulating the omnipresent surveillance technologies employed by the public and private sectors. As if stumbling onto unknown footage of oneself, the installation forces the alarming realization that we are constantly under observation, with our identities perpetually digitized, and transformed into two-dimensional portraiture with the rest of the paintings in the space.